I wonder if it is just me or everyone else faces the problem of not 'getting' his music directly! The latest addition in a long list is the soundtrack of Guru... The first time I heard it, it sounded average at best. Sometime later, I found myself humming this really enchanting tune, which I later realized is from 'Tere bina' from the same soundtrack. Next up, I see the song 'Barso Re' on TV (with Sir Mani Ratnam's unmistakable and brilliant touch) and my iPod saw the song joining the first one with 5-stars. Barely a week has passed, and I seem to be 'discovering' the rest of the tracks one by one...
I was wondering why this has been happening to me through 'Dil Se', 'Yuva', 'Rangeela', 'Roja', 'Rang De Basanti', 'Swades', 'Lagaan' and almost any other soundtrack churned out by who I consider to be the best composer in India, miles ahead of anyone else. Then it struck me - a distinct pattern among all the hit soundtracks - there's absolutely no pattern, no repetition, no particular genre with which you can club any of his efforts. There is no 'formula'. It is innovation every single time. As with any other form of innovation, it takes time getting used to... Also like any successful innovation, it leaves an indelible mark.
I was wondering why this has been happening to me through 'Dil Se', 'Yuva', 'Rangeela', 'Roja', 'Rang De Basanti', 'Swades', 'Lagaan' and almost any other soundtrack churned out by who I consider to be the best composer in India, miles ahead of anyone else. Then it struck me - a distinct pattern among all the hit soundtracks - there's absolutely no pattern, no repetition, no particular genre with which you can club any of his efforts. There is no 'formula'. It is innovation every single time. As with any other form of innovation, it takes time getting used to... Also like any successful innovation, it leaves an indelible mark.
Admittedly, this is not the only method by which one can make eminently lovable music. The trio of Shankar-Ehsaan-Loy are doing a great job with the soundtrack of 'Salaam-e-ishq' destined to join their other bestsellers like 'Kal Ho Na Ho', 'Dil Chahta Hai', and the likes. But there is a quite easily discernible pattern to their work. With A. R. Rahman, you have the work of a master, each effort unique. This is not to say he cannot adapt his style - with the title track RDB, he managed to prove he can bhangra better than any north-Indian composer worth his salt! But to support my point, I'll cite some works which exemplify the innovation:
- Satrangi Re from Dil Se - this has to be one of the prime examples... Name one song which can come even close!
- Anjaana Anjaani from Yuva
- Humma from Bombay
- Yeh Jo Des Hai Tera from Swades
- Chandralekha from Chor Chor
- Our National Anthem!
I'll go back to discovering the 'Guru' soundtrack now... :)
11 comments:
u ain't the only one that faces this problem with rahman's music....its each and every true rahman fans dilema ....
I guess each time u hear it ..u hear something new ...
-A
"there's absolutely no pattern, no repetition, no particular genre with which you can club any of his efforts."
And yet, each time my dad hears a new song, he can guess it is done by Rahman. The one time he got it wrong was when he heard Zara Zara from RHTDM - and I found out that the music director for that movie was Rahman's assistant!
Did Rahman do the national nathem? Didn't know... or were you referring to vande mataram?
Very much the national anthem! See it here: http://www.youtube.com/watch?v=Eyn3CRiMsFI
Features regularly before movies in the Fame chain of cinemas...
I think Rehman is over rated.. All of his success can be attributed to the "synchroniser" where each tune can be turned into 100 other tunes... With this instrument, u dont really compose music as old timers did.Rehman himsel admitted this in an interview( I dont think he was being modest, it was just a candid confession)..U just have to twist some notes and lo and behold, a new tune is invented withput much effort..and i agree with aditya, u can easily identify rehman's music!
You make it sound easier than it is, Abhay... I'm sure you couldn't create a hummable lullaby with it if it came with a manual!!! ;) Point is, he's an inspired artist...
And I agree that Rahman's music is easily identifiable... The post was about me taking time to get used to it :)
dude wen didya start blogging
neways good stuff
satrangi re is his masterpiece i think
abhay - if that is true, then that makes rehman even more brilliant than I thought he was.
Normally, when a band or a group of people create muysic, each person comes up with an idea about what part he/she is going to play (the bassy with the bass line, the lead guitarist with a solo, the keyboardist with the atmosphere, the drummer with a rythm).
What you've just accused Rahman of doing is doing all these roles together!
I'm with Nicky on this - most of us wouldn't be able to compose a lullaby even with an instruction manual!
The thing is you're confusing 'musician' with an 'instrumentalist'. Rahman is great simply because he makes music that is liked both by the so-called critics and by the public. He may not be adept at playing an instrument, but he certainly knows what sounds good to the ear and how to get it out of his instruments. Whats wrong with that?!
Listen to the bass on Dil Se Re. Or the blend of instruments on Chhalka (Saathiya).
Nicky: will see that link in a while. But I rank Maa Tujhe Salaam as one of his best compositions ever.
Hear hear! Well said Aditya...
And yeah, the album Vande Mataram rocks! Even that song with Nusrat Fateh Ali Khan...
I agree... he is a genius... and he has proved his diversity.. from Roja to Lagaan to RDB..
When I heard the Guru soundtrack, I was a bit disappointed.. but after listening to it a few more times, I'm far from complaining.
And when this person joins hands with another prodigy - Mani Ratnam, well... magic is the least you can expect.
[Shankar-Ehsaan-Loy are good, but no where near Rehman]
chanda suraj laakhon taare
hai jab tere hi yeh saare
kis baat pe hoti hai fir takraar?
kheechi hain lakeerein is
zameen pe par na kheechon dekhon
beech mein do dilon ke yeh deewarein
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